LEitz SUMMICRON-C
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TECHNICAL DATA
| FOCAL LENGTH | APERATURE | CLOSE FOCUS | FRONT DIAMETER | WEIGHT (lbs) |
|---|---|---|---|---|
| 15mm | T2 | 1' | 95mm | 4.1 |
| 18mm | T2 | 1' | 95mm | 2.9 |
| 21mm | T2 | 1' | 95mm | 2.9 |
| 25mm | T2 | 1' | 95mm | 3.4 |
| 29mm | T2 | 1' | 95mm | 3 |
| 35mm | T2 | 1'2" | 95mm | 2.9 |
| 40mm | T2 | 1'6" | 95mm | 3 |
| 50mm | T2 | 2' | 95mm | 3.2 |
| 75mm | T2 | 2'7" | 95mm | 2.7 |
| 100mm | T2 | 3'3" | 95mm | 2.7 |
| 135mm | T2 | 4'6" | 95mm | 4.1 |
| 180mm | T2 | 4'8" | 95mm | 5.8 |
OVERVIEW
LAST OF THE SUPER 35’S
Summicron-C primes emerged as Leica’s contribution to the cinema world, known for exceptional consistency, clarity, and compact form factor. They offer a refined, modern look that doesn’t veer into the harshness some digital sensors can emphasize. They are the last of modern spherical lenses that were shipped to the market before the industry moved to the exploration of full frame lenses.
PRESENCE IN MOVIES
Summicron-Cs have been embraced on feature films and high-end commercials that seek faithful color reproduction and well-controlled highlight handling. They are revered by DPs who prefer a clean canvas—optically sound and neutrally balanced—allowing for more creative freedom in shaping the image through lighting and grading. Their presence on projects like The Hunger Games series and countless top-tier spots attests to their professional pedigree.